Brazil different – culture up close experience also in 2012 present Elisabeth cloth Hall and Joao Eduardo Albertini back together the Brazilian culture Salon of Salao Transartes in Kreuzberg Forum Brasil. On March 24, 2012, from 19: 00, the gateway to the Latin American culture is open to all visitors and allows this time particularly intense and beautiful insights in dance, drama and music of Brazil. The Salao Transartes combines various aspects and different influences in Brazilian culture and creates a platform for a successful intercultural exchange with the help of the Brazilian and brasilophilen artist of the evening. Together with Katrin Wahl and Martin Klenk performs Elisabeth cloth Hall this time various musical acts from the genre of Brazil Jazz”as a duo and trio. You strike the arc by jazz standards of popular Brazilian music (MPB) up to original compositions, new and improvised music. This creates a subtle mixture of Groove and melody, depth and ease, humor and melancholy. Furthermore is the Dancers perform Carlos Frevo with a Brazilian dance performance with influences from European, African, and Native American cultural items and offer a cross-cultural program. “” Also he presented a performance of the pieces in collaboration with Arianne Valdez Cardoso of the sewing box “and flag” under the direction of Ze de Paiva and costumes by Odile Hautemulle. Inspired by Berlin childhood around 1900″and a one-way street” by Walter Benjamin, they show an imaginary game between a seamstress and a dancer. The audience is expected to be a varied evening program with impressive dance performances and musical contributions, as well as the possibility of a dialogue with the artists. Brasil for more information about the Salao Transartes and other events of the Forum Brasil Web site can be found on the Forum and the Forum Brasil blog.
Japanese painting – a unique phenomenon not only in Japanese culture, but throughout the world of painting. For the unenlightened man Japanese painting may seem extremely simple in execution. However, it is not so: it is necessary have a high level of skill that few strokes to depict the Japanese schedule. Schedule, which will be filled with emotions and emotional colors. In Japanese painting there is a sufficiently large number of styles, techniques and forms. Japanese graphics are generally portrayed in the form of scrolls: the hanging and horizontal format, album pages, as well as on a screen and fan. There are two basic directions in the development Japanese charts: a purely Japanese and continental (borrowed from China and Korea). For the traditional genre is characterized by images of nature, majestic mountains, fast rivers, colorful flowers, beautiful animals. As well as work devoted to the sunrise and sunset, holiday blooming sakura, life, a certain hour of the day, etc. List all the threads of Japanese graphic nevozmozhno.Samymi common and celebrated styles of Japanese painting in the history of Land of the Rising Sun are: Sumi-e Yamato-e, ukiyo-e. And other: kara-e, Namban, budzinga etc. For professionals it is no secret that Japanese prints is genetically linked to the art of calligraphy. In this country, even There is a notion of unity of the principles of calligraphy and painting. As well as Chinese, Japanese prints in long play an enormous role monochrome izobrazheniya.V Middle Ages for a long time the main direction of the Japanese Calligraphy was Sumi-e.Sumi-e – Japanese calligraphy is written in ink. Initially, sumi-e was borrowed from China in the XIV century, and at the end of XV century, has become a mainstream Japanese charts. Sumi-e scrolls – monohnomny, written on the basis of black mascara. It is a form of charcoal or obtained from soot. This mascara is pounded, diluted with water and applied with a brush on paper and silk.