By the time he wrote and memorized the entire scheme of rock hits and felt in a maze like a fish in water. Now Adam is no longer afraid of getting lost, and began methodically examine each pass, trying to find some clue. But the corridors and dead ends were exactly the same and does not differ among themselves. Second stele unearthed, archeologists have found no only the inscription, but the top of a stone pillar. Further details can be found at Discovery Communications, an internet resource. It was mounted a transparent crystal size of a child's head. Stone with the text again seized the church, and the crystal was taken and sent to people by Bernard to the laboratory for study. Came to an end two months of excavation. In Adam there was not anything that he could put in your collection. Findings are not very original. Remains of a harness, arrowheads, and even found a military helmet and rusty sword, but it had already happened. One morning, standing as usual, had all (the tent he had not rearranged), Adam walked up the stone path to the remains of the stele. He sat down on a piece of the great stone face of the cliffs, and looking at them, thinking, trying to unravel the mystery of the maze. Suddenly, an archaeologist found a short but very bright flash of light that came straight out of rock. He could not make a mistake, because it looked just at this point. IRIZ rose on the left hand from Adam and his rays could not be reflected on the rocks – this part of the mountain was in the shade.
Among the foreign-made pictures of the most complete section was presented to geographical and ethnographic films, collectively called "species". These "species" of painting at an early stage of development film were the leading group in terms of numbers of films. They shot many hundreds of names of agents still the Lumiere brothers in 1896-1898 years, traveled around the world with a new attraction – the cinema. Then, when the Lumiere brothers gave up film production, generic picture continued to take a French company Gaumont Pathe and, English, "Warwick", the German-FIR "Messter" and "Bioskop" American "Edison", "Vaytagraf" "Bayograf" and many, many others. Thousands of names unreleased until the First World War, specific films included in the program of each session, a typical commercial cinema theaters. After that, used in commercial distribution, they were transferred at a reduced rate institutions and organizations that have used the cinema in the educational activity. Only two editions of the catalog "intelligent cinema" lists 1,200 species of paintings depicting the life of foreign countries. Of this number, 800 were devoted to different countries of Europe, 200 – Asia, mainly India and the Muslim East, more than 100 – Africa, about 60 – America, the principal way North, Canada and the USA, 35 – Australia. Some of these paintings depicted the life of nature and of foreign countries in colors (color film were painted by hand, although in the early 10-x gg. Inventor Urban Smith proposed satisfactory for the time the system color photography. However, according to L.
For the first time in the history of a civilization established a kind of "control" over all others. The evolution of household economic way of public predetermined fundamental restructuring of the entire system of legal relations. In the era of modern times was the formation of an entirely different civil society, which rejects the representation of body and on the contrary, presupposes civic equality and freedom, in contrast to the traditional in the preceding period of feudal, religious, and similar restrictions. It is understandable that such a reversal could be accomplished peacefully and painless. Therefore, to overcome the old order, the feudal regime resulted in a historic series of political revolutions. However, it should be noted that the first bourgeois revolution in the Netherlands and England were still in significantly associated with the religious quest, which were the consequences of the Reformation. In other words, the bourgeoisie in these countries could not yet in full voice on the need to declare the collapse of the old feudal state legal system. And only the French and American revolutions in the XVIII. already are the result of a purely political struggle for new social forces and state law rule. In the era of modern times political system has ceased to be a crucial element in the state-legal way (as it was during Antiquity and Middle Ages). The form of exercising power has become more dependent on the political regime, the which affect both subjective and objective factors. Therefore, in public and political life for a long time became the opposition of liberalism and dictatorship. The most characteristic phenomenon of the legal history of modern times has become comprehensive codification of the law. Codified law is almost universally prevailed over other forms of it, and has become a major codification through the implementation of state policy of reform and renewal of the legal system. New time finally established the dominance of Europe in the world. This resulted in the birth here of defining the state and the rights of new forms and institutions that have influence on political developments in other countries adopt new, more progressive principles of constitutional law, as well as the reception of Western European law. However, this dominance has been and negative side. The most powerful Western nations formed the XIX at. huge colonial empires in Asia and Africa. The struggle for dominance in the world in particular deformed state and political history of Europe, which eventually led to world wars and the end of this phase of history, as New time.
Japanese painting – a unique phenomenon not only in Japanese culture, but throughout the world of painting. For the unenlightened man Japanese painting may seem extremely simple in execution. However, it is not so: it is necessary have a high level of skill that few strokes to depict the Japanese schedule. Schedule, which will be filled with emotions and emotional colors. In Japanese painting there is a sufficiently large number of styles, techniques and forms. Japanese graphics are generally portrayed in the form of scrolls: the hanging and horizontal format, album pages, as well as on a screen and fan. There are two basic directions in the development Japanese charts: a purely Japanese and continental (borrowed from China and Korea). For the traditional genre is characterized by images of nature, majestic mountains, fast rivers, colorful flowers, beautiful animals. As well as work devoted to the sunrise and sunset, holiday blooming sakura, life, a certain hour of the day, etc. List all the threads of Japanese graphic nevozmozhno.Samymi common and celebrated styles of Japanese painting in the history of Land of the Rising Sun are: Sumi-e Yamato-e, ukiyo-e. And other: kara-e, Namban, budzinga etc. For professionals it is no secret that Japanese prints is genetically linked to the art of calligraphy. In this country, even There is a notion of unity of the principles of calligraphy and painting. As well as Chinese, Japanese prints in long play an enormous role monochrome izobrazheniya.V Middle Ages for a long time the main direction of the Japanese Calligraphy was Sumi-e.Sumi-e – Japanese calligraphy is written in ink. Initially, sumi-e was borrowed from China in the XIV century, and at the end of XV century, has become a mainstream Japanese charts. Sumi-e scrolls – monohnomny, written on the basis of black mascara. It is a form of charcoal or obtained from soot. This mascara is pounded, diluted with water and applied with a brush on paper and silk.