Edson Silva the heading of the article is aluso to the one music of the Chico supposedly composed Buarque for a president of Brazil during the Military dictatorship. In it Chico would make reference to reference the fact of the son of the agent chief executive to defy the father (general) and to like its musics. The composer would have tascado: you do not like me, but its son likes ‘ ‘ I use to advantage the repercussion in the media on the championship of the School of Kiss-Flower Samba with the plot in homage to the singer and composer Roberto Carlos to cite ticket lived in a radio sender who I worked at the beginning of the journalistic career. We were university, we fought for Direct elections Already and we almost did not conform in them with exclusively foreign programming that in the senders, mainly in the FM. For my satisfaction, I started to work almost in dedicated radio AM that exclusively to the reporters, later I was to compose team of journalism of a FM, that had Msica Brazilian Popular (MPB) in the totality of the programming. It passed some time, and for trade names, the sender changed name, passed to integrate net believes that national, she kept journalism, but the musical programming if internationalized in 100% for my desperation and of other colleges student of the team.

The presenters (annunciating of musics) had by the way passed to be called DJs (and they liked this), several used foreign, allusive pseudonyms to the names of astros of music pop of the United States and the Europe. I am not xenfobo. He had good groups and international singers. Michael Jackson, Madonna, Duran Duran, A-Ha, The Police, Cyndi Lauper, Tears Will be Fears, Whitney Houston, Phil Collins, Culture Club, George Michael, Simply Red, Clinks Turner, Lionel Richie, Peter Gabriel etc. What it did not conform me was not to have space for talentosos Brazilian artists. Exactly thus, I dug space for two hours of MPB of quality, that later (for my disillusionment) started to be mesclada with new trends of the time, again under allegation of commercial questions. What everything this has to see with Robert Carlos? The son of the owner of the radio forbade to touch any music of the call king of Brazilian music, therefore he did not like it.

Certain time (and it gave confusion) emplaquei ‘ ‘ Maria, Carnaval and Cinzas’ ‘ because the composer of music Luiz Carlos Paran had deceased. Another time, in day of failed Brazilian general strike, I made the programming all of protest, with right the Geraldo Vandr and initiating the program with ‘ ‘ The Day where the land parou’ ‘ , of Raul. But this is another history.