Modern arhtektura when searching for new ideas, forms and incarnations, as well as its own stylistic direction does not conceal that he enjoys and historic heritage entrusted to us, along with the theory of building projects settlement houses and homes of people since the early 19 th century to the present time. Most often it refers to those concepts in theory and prirntsipam formation, which last reached the greatest stylistic beauty, purity of images and forms. Sometimes it seems that everything that lived before the twentieth century, a new kind of came back and quickly repeated all over again. In the 50 years again risen dramatically influence the Bauhaus in Europe. thpiece. Attempt to direct renovation of houses as well as the Bauhaus did a Swiss architect, Bill M., who founded the Ulm High School morphogenesis. Ideological tradition of the Bauhaus have adopted the same school in Weimar and Halle. At the turn of 50-60 neosetsessii's a wave, which contributed to the well vysstavki of houses in New York in 1960 Exhibition – 'fantastic architecture', which further emphasized the presence koordinalno individualistic shades of opinion on arhitenkturu future. Architecture becomes more like a sculpture, returning to the naturalistic forms or acquires stereometric forms created are not available to common understanding spatial illusions. In modern art, this trend is represented arhitekturnvmi compositions Frenchman Blok, almost identical to the architectural fantasies G. Finsterlina or Keisler, related to the early 20's. Experiments in the form of projects, residential houses engaged himself Italian Mikeluchchi. To know more about this subject visit Dana Gibber . Increases the total number of attempts to develop the same way and the pictorial cubism, planting sites. Appear numerous modifications eksperssionizma which after the war, most of all approached German G. Sharun architecture houses in Stuttgart, and building a concert hall in West Berlin.
Japanese painting – a unique phenomenon not only in Japanese culture, but throughout the world of painting. For the unenlightened man Japanese painting may seem extremely simple in execution. However, it is not so: it is necessary have a high level of skill that few strokes to depict the Japanese schedule. Schedule, which will be filled with emotions and emotional colors. In Japanese painting there is a sufficiently large number of styles, techniques and forms. Japanese graphics are generally portrayed in the form of scrolls: the hanging and horizontal format, album pages, as well as on a screen and fan. There are two basic directions in the development Japanese charts: a purely Japanese and continental (borrowed from China and Korea). For the traditional genre is characterized by images of nature, majestic mountains, fast rivers, colorful flowers, beautiful animals. As well as work devoted to the sunrise and sunset, holiday blooming sakura, life, a certain hour of the day, etc. List all the threads of Japanese graphic nevozmozhno.Samymi common and celebrated styles of Japanese painting in the history of Land of the Rising Sun are: Sumi-e Yamato-e, ukiyo-e. And other: kara-e, Namban, budzinga etc. For professionals it is no secret that Japanese prints is genetically linked to the art of calligraphy. In this country, even There is a notion of unity of the principles of calligraphy and painting. As well as Chinese, Japanese prints in long play an enormous role monochrome izobrazheniya.V Middle Ages for a long time the main direction of the Japanese Calligraphy was Sumi-e.Sumi-e – Japanese calligraphy is written in ink. Initially, sumi-e was borrowed from China in the XIV century, and at the end of XV century, has become a mainstream Japanese charts. Sumi-e scrolls – monohnomny, written on the basis of black mascara. It is a form of charcoal or obtained from soot. This mascara is pounded, diluted with water and applied with a brush on paper and silk.